A plugin company.
Not a portfolio.
Sixteen instruments under one roof — built on a single measurement core (DKP-Core™) and a single unified spectral control standard (REDSHIFT™). Every meter is BS.1770-4 compliant. Every synth runs the same Keplerian spring-return joystick mapping cosmological Doppler shift to pitch and color. Sole inventor.
WORM GEAR
Auto-Tune tunes a voice. Melodyne edits one. Worm Gear lets you build the throat it came out of — and shows you the measurements. The formant lever reads in millimetres of vocal tract, and the three formants it produces are measured off your voice and printed in hertz beside the physics that predicts them. Ten historical temperaments, equal divisions other than twelve, a per-note microtuning grid and Scala import all retune the corrector itself — they are not displays.
SPECTRE-PEAK
A precision measurement chassis for mastering engineers, broadcast, and audio QA. Real-time spectrum, 3-band VU, vectorscope, BS.1770-4 loudness, platform-target compliance, A/B reference. The translucent see-thru overlay floats above any player so you measure your master while it streams.
GUILLOTINE
A precision soft-clipper modeled as a back-pressure relief valve. Threshold is the Schwarzschild radius. Spring compliance is the soft-knee width. Hawking Zone slider, cosmic spectrum chamber, REDSHIFT color invariants. Built on the same DKP-Core kernel as SPECTRE-PEAK. Your limiter, in spaceflight.
PULSAR
A drum machine modeled as a neutron star — the universe's metronome, locked at neutron precision. Corps-style kit array (cymbals, tenors, snares, basses) plays a Cultural Patterns archive: FAMU Rattlers, second-line, soca, dancehall, drumline traditions across Black music heritage. Period · BPM · Repeat · Mix · Seq.
VECTOR ◈
A MIDI harmony engine where the circle of fifths becomes a planetary system. Chords are bodies in orbit. Genres are distant suns. Drag a chord planet onto the progression holder, hit play, and a Grand Piano (or any GM instrument) voices it in real time. Drop a MIDI file in the corner — VECTOR detects every chord automatically.
Color-mapped chord categories built into the engine: DIATONIC (native to the scale), SECONDARY DOMINANTS (V7 to each degree), BORROWED / MODAL MIX (parallel mode), TRITONE SUBS (jazz chromatic), CHROMATIC MEDIANTS (cinematic). Filter the catalog by genre, decade, or mood — 679,807 chords, 100,100 progressions indexed and instant.
Just Use Ninths Only. The initials are the Jiangmen Underground Neutrino Observatory, and they are also the thesis. The ninth is not an ornament and the name is not a pun — it is the interval the Black musical tradition has leaned on for a century, and it is the thesis the whole division is built around. Everything here is designed to put that interval where a synthesiser normally puts a fifth.
G.H.O.S.T.
A wavetable synthesiser with a six-detector observation engine, a twenty-one slot effects rack you can chain or detach, and a grid density engine oversampling 2× to 16× on the way in and out. MPE throughout, 814 presets, and a blueshift state transition that runs to event horizon.
Tunings include Chinese pentatonic 五声 and the Japanese modes 陰旋法 IN, 陽旋法 YO and 平調子 hirajōshi — twelve-tone is a setting, not an assumption.
EUROPA
A 96 kHz analysis bench with vocal-range, formant and sibilance tracking, over a thirty-one band hardware-modelled equaliser.
JET
Talkbox and sine cooker under full MPE, the voice driven around a rotating accretion disk. Its preset banks include one called Ninths Only.
CONDUCT
Conduct the engine with your hands. Baton, ictus and phrase banks, tracked live — no controller on the desk.
Lumina.Aerospace · Audio Division · Cosmological Synthesis Branch
MAL_IGN
A granular synthesizer where the REDSHIFT joystick controls grain cloud pitch on a dedicated spectral tab. Preset bank rooted in Caribbean cultural physics — DUPPY, NINE NIGHT, ROLLING CALF, OBEAH, ANANSI, BARON SAMEDI — each preset described in terms of grain density, entropy, and decoherence. The first synth where the manual is a folklore primer.
PARALLAX
A spatial equalizer where six band orbs occupy a 3D depth field. The REDSHIFT joystick shifts every orb in z-depth proportional to the Doppler parameter. Warm bands bloom on redshift push; cool bands bloom on blueshift push. Persistent panel. Sister synth modulates oscillator pitch + Keplerian orbital speed of waveform nodes.
SINGULARITY
A black-hole synthesizer. The REDSHIFT joystick modulates event horizon radius and accretion-disc rotation speed. Sound design as orbital mechanics — what falls in stays in, what's emitted is gravitationally redshifted by the same physics that names the line of products it ships under.
MASS
A vocal synthesizer where the REDSHIFT joystick controls formant pitch and vocal-tract tension simultaneously. The first synth where Doppler physics maps cleanly onto the human voice — pitch up, push the tract; pitch down, slack the tract. Built on the same chromatic feedback contract as every other REDSHIFT instrument.
EKG·EQ
A master EQ where every band is named after the part of the human body it shapes — VENTRICULAR WALL · BODY CAVITY · FORMANT CHAMBER · CONDUCTION NODE · NERVE FIBER · SURFACE POTENTIAL. Wavelet analysis under the hood. Auratone Technology. Already shipping inside BandLab; the same engine ports to standalone, VST3, AU, and AAX.
Eight more in flight.
The Alien Series doesn't stop at the marquee. Each of these is a deliberate instrument with its own physics — fractal plasma, gravitational lensing, gold-scatter quantum cradle, pulsar timing, shimmer corona. Sole inventor.
AFTERBURNER
A saturator modeled on jet-engine afterburner physics. Push the plate, the sound ignites. Re-heater for low-mid harmonics; thrust-vector for stereo placement.
ARRIVAL
A delay/reverb where echoes arrive on a curve — Doppler-shifted, gravitationally lensed, and decoded as if from a transmission across light-years.
ATTITUDE
A transient shaper modeled on spacecraft attitude-control jets. Yaw, pitch, roll — applied to the leading edge of every hit. Quaternion-stable.
CORONA
A shimmer chorus modeled on the sun's corona — extreme-temperature plasma haloing the source. Octave shimmer, plasma flicker, magnetic-loop modulation.
GOLD_SCATTER
Granular synth modeled on Rutherford gold-foil scattering. The sound is the alpha particle. The cradle is what scatters it. Higgs-style coherence at the tail.
LGM
Sister to PULSAR. A tempo-locked delay tuned to known pulsar periods (CP-1919, Crab, Vela). The "Little Green Men" signal — repurposed as rhythm.
PLASMA
A fractal synthesizer driven by φ and ψ fractional operators. AKWF-FREE wavetables loaded into a fourth-state-of-matter oscillator architecture. Reliquary build pipeline.
IMPERIAL SIX
A convolution instrument that captures the acoustic fingerprint of historic spaces and transmits it forward as cultural heritage. The room as artifact. The reverberation as a record.
ABACUS
A sequencer rooted in the abacus — every civilization's first computer. Suanpan, soroban, Mesopotamian, Roman, Caribbean. Material is cultural identity. Glass beads = modern.
One core. Every measurement.
DKP-Core is the deterministic measurement kernel underneath every Luminous instrument — audio, RF, geophysical, seismic. Cunningham Loop. Phalanx-validated. Mod-3 parity locked. The audio expression you read here is one face of an instrument family that goes much further.
REDSHIFT™ · RE_SIGN™ · DE_SIGN™ · USPTO PROVISIONAL · T. A. CUNNINGHAM, SOLE INVENTOR
© 2026 LUMINOUS.WORKS LLC · APPLETON, WISCONSIN · ALL RIGHTS RESERVED